MUSEUM VAN BOMMEL VAN DAM, Venlo, Netherlands
NÄCHTLICHES KONZERT (Nightly Concert): Gregor Hildebrandt and Jorinde Voigt
February 5th, 2012 to April 15th, 2012
Museum van Bommel van Dam
Deken van Oppensingel 6
5911 AD Venlo
www.vanbommelvandam.nl
WV 2011-161 100 Views Nächtliches Konzert (The Romance of the West Chamber; China, mid 19th Century) Countdown-Countup; Rotationsrichtung; Rotationsgeschwindigkeit/ Deklination; Umdrehungen/ Min, Woche, Quartal, Jahr Jorinde Voigt Berlin 2011 114,5 x 185 cm Farbiges Velin- & Ingrespapier, Beistift, Tinte auf Aquarellpapier Unikat Signiert
VBVD kaart Gregor Hildebrandt en Jorinde Voigt.pdf
MUSEUM DHONT-DHAENENS, Belgium – Reproducing Complexity
23/10/2011 – 08/01/2012
MUSEUM DHONT-DHAENENS
Museumlaan 14
B-9831 Deurle
Belgium
T +32 (0)9-282 51 23
F +32 (0)9-281 08 53
info@museumdd.be
http://www.museumdd.be/en/huidig/t123/
WV 2011-210 2 Horizonte (Belgien II) Mögliche Farben des Horizonts; Position; Himmelsrichtung N-S; 6 Externe Zentren; 100 Melodien; 7 Zäsuren; Rotationsrichtung: 1-8 Umdrehungen/ Tag; Airport; Territorien; Kontinentalgrenze Jorinde Voigt Berlin 2011 258 cm x 195 cm Tinte, Ölkreide, Bleistift auf Papier Unikat Signiert
RE/PRO/DUCING COMPLEXITY: Nelleke Beltjens, Hedwig Brouckaert and Jorinde Voigt
RE/PRO/DUCING COMPLEXITY presents drawings and drawing-related works by three young women artists from three European countries: by Nelleke Beltjens (°1974, the Netherlands), Hedwig Brouckaert (°1973, Belgium) and Jorinde Voigt (°1977, Germany). In recent years all three artists have emerged on the international scene with demanding and innovative approaches in the medium of drawing.
The fact that our society is characterized by rapidly increasing complexity manifests itself not only in such important sectors as the economy, science and technology, where even experts have trouble keeping abreast of developments. The growth of complexity may be felt on down into our daily lives, changing all areas of life. This constitutes at once both enrichment and mental overload, a broadening of our horizons and a loss of orientation. Beltjens, Brouckaert and Voigt address this theme of complex and intricate reality and the perception of it, each using their own means. Nelleke Beltjens understands her drawings as metaphors for the incomprehensibility of life, human existence and its conditions; Hedwig Brouckaert works with redundant visual material, such as that disseminated by the mass media, which she alienates and “neutralizes” with her selections and layerings; In diagram-like drawings, Jorinde Voigt develops new structures of order and relationships between selected areas of reality, creating spaces for the viewer’s imagination in this way. As different as the respective artistic approaches of the three woman artists are, they are equally highly complex, in keeping with the famous statement by the sociologist and systems theorist Niklas Luhmann who said: “Only complexity can reduce complexity.” Peter Lodermeyer (Bonn, Germany) will be curator of the exhibition.
RPDC Einladungskarte MDD
JORINDE VOIGT – 1000 VIEWS / Regina Gallery Moscow
1000 Views presents the works of Jorinde Voigt exhibited at Regina Gallery Moscow from September 24th to November 12th, 2011, along with various texts by the artist herself and author Lisa Sintermann, on several of the projects shown. Product Details: Hardcover: 100 pages Publisher: Regina Gallery, London & Moscow (2011) Language: English ISBN-10: 5901929047 ISBN-13: 978-5901929049
Avaiable from Amazon
Avaiable from Studio Jorinde Voigt
Avaiable from Regina Gallery London
100 Views: Seidenbaum + 14 Views: Campo Bandiera/ Venedig (Windstärke; Windrichtung; Countdown – Countup; Deklination Rotationsgeschwindigkeit/ Tag; 1 – 10 Sätze)
100 Views: Seidenbaum + 14 Views: Campo Bandiera/ Venedig (Windstärke; Windrichtung; Countdown – Countup; Deklination Rotationsgeschwindigkeit/ Tag; 1 - 10 Sätze); Jorinde Voigt, Berlin/ Venedig 2011, 140 x 300 cm, Farbiges Velin- & Ingrespapier, Beistift, Tinte auf Aquarellpapier, Unikat, Signiert (WV 2011-130)
CONCEPT / KONZEPT Views on Chinese Erotic Art. From 16th to 20th Century
Die juengste Serie „Views on Chinese Erotic Art. From 16th to 20th Century“ (2011) entstand als unmittelbare Fortführung der „308 Views on Plants and Trees“ (2011), in der Voigt erstmals Notationsverfahren und Collagetechnik kombiniert. Fokus der neuen Collagen bilden, anders als zuvor die Pflanzenwelt, Gemälde der Ausstellung „Der chinesische Lustgarten – Erotische Kunst aus der Sammlung Bertholet“ in der Ostasiatischen Kunstsammlung in den Museen Dahlem (2011)….Weiterlesen KONZEPT Views on chinese erotic art_D.pdf
The latest series “Views on Chinese Erotic Art. From 16th to 20th Century” (2011) was produced as a direct
continuation of the “308 Views on Plants and Trees” (2011), in which Voigt combined notation methods and
collage technique for the first time. The new collages, in contrast to the previous concentration on the plant world,
focus on paintings in the exhibition “The Chinese Garden of Lust – Erotic Art from the Bertholet Collection” in the
East Asian Art Collection of the Berlin State Museums in Dahlem (2011)…continue to read CONCEPT Views on chinese erotic art_EN.pdf
Detail from: An Amorous Bath From the album Red Shoes Ink and colours on paper, 19th c., Anonymous, Collection Ferdinand Bertholet
(I) + (II) 100 Views: An Amorous Bath (From the album “Red Shoes”, China, 19th Century; Countdown-Countup; Rotationsrichtung/ Rotationsgeschwindigkeit/ Umdrehungen pro Tag; No Movement; Himmelsrichtung (N-S) Jorinde Voigt Berlin 2011 101,6 x 64,8 cm Farbiges Velin- & Ingrespapier, Beistift, Tinte auf Aquarellpapier Unikat, Signiert, (WV 2011-154 + 155)
